 The Bristol Art Museum is proud to announce its upcoming exhibition, "Prescribing Creativity," which showcases the artistic talents of those in the medical profession. The exhibit will run from Sun., Sept. 22, through Sun., Oct. 20, 2024, and will provide a platform for medical professionals to share their creative endeavors through diverse and captivating artworks.
An Artists' Reception will take place on Sun., Sept. 22, from 2 to 4 p.m. where the public can meet the artists and learn more about their work. When the exhibit concludes, participating artists will also have the opportunity to display their work at the Warren Alpert Medical School. “"Prescribing Creativity aims to reveal the often-hidden artistic sides of doctors, nurses, medical’ professionals, and medical students,” said curator and museum board member Mary Dondero. “From paintings and sculptures to photography and mixed media, the exhibit features a wide variety of artistic expressions that explore the human experience through the lens of those dedicated to healing others. In Prescribing Creativity, museum guests will witness the passion and skill that medical professionals channel into their artistic pursuits.” Those artists featured in the exhibit include Jonah Blumenthal, Kelsey Bogdan, Jessica Churchill, Michel Davis, Raquel Davis, Stephanie Garbern, Fiona Griffin, Phil Gruppuso, Ashley Houlihan, Marc Jaffe, Ben Katz, Peter Landry, Francois Luks, Leonard Mermel, Claire Morley, Murray Norcross, Jocelyn Regenbogen, Jane Richardson, Matthew Rios, Wendy Rocha, Richelle C. Russell, Maya Lakshmi Srinivasan, Elizabeth Toll, Yvonne Weiss, and Kosuke Yuki.
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Bristol Art Museum Announces Knock on Wood: An Exhibit of the Eerie, the Lucky, and the Uncanny9/25/2024  BRISTOL, Rhode Island - The Bristol Art Museum and Rogers Free Library announce a new juried community exhibit, ‘Knock on Wood.’ This unique exhibit showcases the work of artists who explore the themes of the eerie, the lucky, and the uncanny, drawing inspiration from the shadowy realms between light and dark, reality and illusion. Printmaker and painter Stephen Fisher will served as the juror for this exhibit which will be on display until Nov. 1, 2024, in the Community Galleries of the Library.
The exhibit's title draws upon the haunting words of The Raven, written by one-time Providence resident Edgar Allan Poe: “But the fact is I was napping, and so gently you came rapping, And so faintly you came tapping, tapping at my chamber door, That I scarce was sure I heard you—here I opened wide the door; — Darkness there and nothing more.” “A collaboration such as Knock on Wood showcases the depth of creativity in our community and engages the cultural spirit of the Rogers Free Library,” said Amy Carreiro, Museum member and co-coordinator of the library’s exhibits. “Through this exhibit, the Library will share with the community the various interpretations of the themes of mystery, luck, and the unknown. Each piece invites viewers to step beyond the ordinary and experience something truly imaginative.” “As a long-time art educator, I come with a strong formalist bias,” said Fisher. “Design fundamentals and mastery of medium figure strongly in my decisions. I am unapologetically seduced by the evocative power of light. I naturally favor the poetic and the well-crafted. I am particularly taken with the haunting noir quality of the black and white photography included in this exhibition.” Artwork selected by the juror for awards include:
“The top 3 awards reflect my favorites. The space, the light, and a quietly eerie foreboding edge to the imagery resonate with me,” added Fisher. “On a different note, I also want to specifically recognize a beautifully crafted, elegant talisman as well as the bravura painterly rendition of a bird with serious attitude,” Fisher, the juror, is a Professor of Art at Rhode Island College and renowned for his expertise in printmaking and drawing. His academic credentials include a B.F.A. from Virginia Commonwealth University and an M.F.A. from Yale University, Fisher's work has been showcased in numerous national and international venues. His artistic recognitions include a regional N.E.A. Fellowship, multiple Rhode Island State Council on the Arts Fellowships, and a Graphic Media Achievement Award from American Artist Magazine.  Bristol Art Museum Presents an Exclusive Lecture and Workshop by Quantum Wei BRISTOL, Rhode Island – The Bristol Art Museum announces an evening exploring the ancient Japanese art of Kintsugi on Thurs., Oct. 3, from 7 to 8 p.m. featuring a lecture titled "Kintsugi: History, Technique and Culture" by Quantum Wei at the Museum, 10 Wardwell St. Wei will also offer a workshop, Intro. to Kinstugi on Sat. Oct. 5 from 1 to 4 p.m. Kintsugi, translating to "golden joinery," is a revered Japanese tradition of pottery repair that transforms broken ceramics into works of art. Rather than concealing the fractures, Kintsugi highlights them using lacquer-based adhesives and metallic powders, celebrating the object's history and imperfections. This philosophy embodies the Japanese aesthetic of wabi-sabi, finding beauty in imperfection and transience. Register for the lecture by emailing [email protected]. The lecture admission is $5 for members and $10 for non-members. Cash at the door is preferred. Those interested in enrolling in the workshop should visit the Museum's website. This is a ‘Bring Your Own Pottery’ to repair workshop. Participants are asked to bring broken pottery, seven pieces or fewer, to provide ample time to fix the piece. In his lecture, Wei will explore the rich history of Kintsugi, demonstrating both traditional and modern techniques. Traditionally, Kintsugi employs urushi lacquer, which is derived from the sap of lacquer trees native to Japan and China. This natural adhesive has been a cornerstone of Japanese craftsmanship for millennia, prized for its durability and glossy finish. However, the traditional method is time-intensive and poses health risks due to urushi’s allergenic properties. In his workshop, Wei will also showcase a contemporary approach using quick-setting epoxy and liquid-metal leaf, allowing for quicker and safer repairs without sacrificing aesthetic integrity. Attendees will gain insights into the meticulous process of Kintsugi, from initial repair to the final polish, and understand how this art form reflects deeper cultural values. Wei's journey with Kintsugi began in 2021 after he accidentally broke an antique Apollo landing plate intended as a gift. Refusing to discard the cherished piece, Wei taught himself epoxy-based Kintsugi through online resources. His passion led him to explore traditional lacquer techniques, culminating in his travels to Japan to study under Kintsugi master David Pike in Nara. Since 2023, Wei has shared his expertise through classes and continues to refine his craft. |
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